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Saturday, October 17, 2026
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Film Analysis: Sleaford Mods' Jason Williamson Assumes Role in Sceptical Examination at 90s Rave Culture

The work of Bristol sound co-founder the musician-producer, this scabrous though undernourished debut feature turns a sceptical eye on 90s rave culture. Venal drug user David (the actor) first robs an unconscious dealer, then in another flashback tries to break into his own family home. Before you can say, he's overturned in the remains of his car in a forest – and subject to the wrathful eye of the Woodsman (Sleaford Mods frontman Jason Williamson). Refusing to extricate David, with impatience toward townies, he is broken Britain embodied: “You’re one of those loud individuals from up on the heath.”

A Shaky Start and Darkly Funny Duel

Game gets off to a shaky start, spending too long on pedantically chronicling David’s attempt to extricate himself from his seatbelt, while awkwardly transitioning into past scenes of his everyday life. The central theme – that the ecstasy generation were primarily out for themselves – is firmly made. But these brief episodes are insufficiently developed to properly prime us for what to expect when the Poacher arrives, enraged after David strangles his dog. Nevertheless, a darkly funny standoff unfolds – David desperate to escape; the Woodsman withholding his jerrycan of cider, determined to soaking him instead in embittered discourse. Williamson, exuding ponderous menace in the role, is evocative of Michael Smiley.

Stylish Imagery and Music Video Vibe

Just a single important plot development, but it results in a hilariously staged chaotic run on the woodland paths that dips close to rural terror. Filmmaker John Minton finally gets to go all in with his ostentatious visuals: where he was focused intently doing artful shots of insects in the light in the opening part, he now lets rip with the full psychedelic 21-gun salute, accompanied by a frenzied keyboard rendition of Ravel’s Boléro. The movie resembles an extended promo than a complete narrative, but there’s enough strident imagery to suggest that Minton could follow Jonathan Glazer, Garth Jennings and others into successfully graduating from the Brit music promo scene.

The film releases in UK and Irish cinemas from November 17.

About the author

Tony Murphy

A tech entrepreneur and writer with over a decade of experience in digital innovation and startup consulting.

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